Rhaz Oriente continues her body of work that illustrates void, absence, and emptiness in her site-specific series titled Void No.3 (a,b,c,d,e), a set of five lightboxes. She photographs the facade, corners, and seemingly empty spaces at The Link in Makati City before the car park gets transformed into a venue for the annual and one of the biggest art fairs in the Philippines. The images of the lightboxes, intentionally blurred and softened, speak of a kind of transition from the supposed permanence to the impermanence of things.