Two corners stand in one: the first is actual, and the second is a set of photographs printed on acrylic. “Chromatic Dichotomy” allows Rhaz Oriente to question cognition. From afar, the box appears gray with strokes of orange. Moving closer, more layers of vibrant colors come into view. Rhaz presents how the brain and body need each other—sense and movement. For her, the logic of what is known and how it is created concedes to the ever-changing.